By now, everyone has seen the original where Ken Block drives like Satan through San Francisco for some DC Shoes commercial.
For an interesting and fresh viewpoint, check out this unused aerial footage taken from an RC copter rigged with a camera. It's unpolished, but still rad, especially because it shows Block fucking up and hitting barricades.
Here's the original...
It took two of us 11 days in a 1.2L Fiat Panda to get from the Russian border to the capital city of Ulaanbaatar, but you can do it in 4 minutes thanks to the dashboard cam that recorded it all. Experience the roadlessness, the bandits, the breakdowns, the yaks, and the camels, without ever having to figure out how to steer and shift a right-driving mini-car through some of the remotest land on the planet. And see it out the windshield just like we did.
The trip started last July with us flying from San Francisco to London and buying a car to run in the Mongol Rally. The next video will take you from England to the border of Mongolia - 40 days of driving in 5 minutes - under the British Channel, over the Caspian Sea, through Eastern Europe, Turkey, most of the 'Stans (Kazakhstan!), and Russia.
During that long haul, my teammate and I talked about doing something in America. And so, this summer I'm organizing a car rally here in the States, a road trip where each team goes on its own route of discovery armed with cameras and mobile technology, and they all meet up for a party at the geographic center of the country (it's in Kansas). Follow it online, or join in!
Bill Holloway and Mauro Hernandez, of Masterworks Woodworking, salvage condemned city trees, then build beautiful bicycles out of them. The story of these bikes goes from the felling of a family's guardian tree, through the woodworking process, and finally, the completion of art you can ride.
They're self-taught, and the custom bikes are an offshoot of their larger woodworking and detailing business. Bill is a native San Franciscan, and his family has deep roots here. The dynamic between him and Mauro is a compelling, friendly rivalry.
I fist encountered Bill while shooting him at Bay Area Maker Faire. This time around, it was great getting to know him and his work better, and setting him and Mauro loose to ride their creations in some stunning San Francisco locations. (Watch for the daredevil downhill stuff - these bikes are decidedly NOT made for that kind of terrain!)
The woman who runs a live-in sexual meditation commune, One Taste Urban Retreat Center, here in San Francisco, gave a talk at TEDxSF. The best part of the video
are the reaction shots of the women in the audience is where she tells the origin story of her program. She meets a dude at a party, he invites her to take her pants off, she does, then he shines a light between her legs and describes her vagina's various textures and colors. This causes her to cry and changes her forever. In itself, not shocking by SF standards. You get the impression that the weird parts of the story are left tucked between the lines.
The New York Times did a long profile a while back, part of which tells of her father, who shortly before her "awakening," had died of cancer while serving a prison sentence for molesting a couple of young girls.
Yelp reviews for One Taste are mostly glowing, but the bad ones really stick out:
Having spoken in depth about their business plan with their CEO (which gives me an insight few others have), I can tell you for certain the aim is to encourage lonely horny men to part with considerable sums of money, whilst cloaking it all in a New Age aura of raising self-awareness through intimate (read: sexual) contact.
The final sentence in her TEDx talk is meant to paraphrase the Dalai Lama: "It will be turned-on women and those who dare to stroke us who will change the world."
Photo by Matt Richardson
I'm proud to have been on one of three teams shooting over 100 of the best projects at this year's Maker Faire. The centerpiece was Colossus. This assembly time lapse gives a good feel for its size and presence, but it's not the same as seeing it on-site. Although, standing next to it means you don't get time lapse!
Shot by Nat Wilson-Heckathorn
This teaser for an announced forthcoming documentary tags the TL one of the "sketchiest" in the
world city, which kind of irks me the way calling it "colorful" or "crackhead-y" does. Yes, there is a lot of down-and-out going on there, and it's not the "safest" place in San Francisco.
As the teaser also shows, though, there are bold characters living there. Characters doing shit. Crazy shit? Yes, most of the time. But it's action-packed, as the folks stuck there try to squeeze some amount of pleasure from their daily circumstances.
UPDATE: Film is screening March 8, 2011, 7 p.m. - Bay Area Women in Film & Media (BAWIFM) Annual Shorts Showcase in celebration of International Women’s Day. Hobart Building, 582 Market St., San Francisco, CA. Get tickets.
I recognize John Waters, talking about the heyday of the Tenderloin, but that's about it. Without lower thirds it's hard to know who the others are (do you know them?). But there is some great vintage porn/hustling footage in this NSFW teaser vid.
UPDATE: Laughing Squid picked up on this post and significantly expanded it.
Time lapse is all over the place, and it's refreshing to see even small variations on the form. I like the acceptance of the change in light levels in this video, and the play of water on the window. Rough and pretty. A film by KACHO--Little Cinema:
Coldplay has been known to liquefy my brain, but this video by filmmaker Nigel Ellis had me mesmerized for other reasons. Like its generous heaping of awesome.
Filmed with a GoPro HD camera.
The video below is a teaser from a video project I'm working on for a group called HueyVets.com.
The featured aircraft - the Bell UH-1H Iriquois - is the main reason Vietnam is often referred to as the "helicopter war." And this rag-tag group of Bay Area guys is trying to preserve the unique experience of flying one in combat in America's most lesson-worthy military entanglement. How do they do that?
Founder Geoff Carr has sunk a small fortune into acquiring and restoring to combat specs this aircraft, and it serves as a living, flying museum. From its homebase at Bud Field Aviation in Hayward, CA, they buzz veterans events and wow anyone within earshot on the ground. (The Huey makes a distinctive whop-whop-whop that almost anyone can recognize.)
What makes this group truly special, though, are the guys themselves. Some served in Vietnam, some are sons of those who served, and some never served at all. But they're all in love with this Huey and what it represents. (Frankly, after spending a day in the sky with it, so am I.)
This is a war machine, however. The guys who caretake it struggle with the conflict between their love for the aircraft and their nuanced views of war itself, which are very, well, Bay Area. As I learn more about them for a longer-form web doc, I can appreciate the vets' desire to honor their wartime experiences while refusing to deny their complicated feelings about the politics that forced them into adventures both righteous and heinous.
Carr experienced intense PTSD when he returned after combat, and the Huey Vets project is partly a way for him to create positive meaning around a trauma that will never in itself make any sense.
Wayne Terry, the San Franciscan who does PR and fundraising for the group, dealt with the unthinkable experiences of his Vietnam combat days as a Huey mechanic by placing it in a drawer that would not be opened again for over 30 years. Some of his closest friends had no idea he'd been in the military until he got involved with Huey Vets in 2004.
Further complicating this group is the nature of the Experimental Military Unit (EMU) they served in - it was the only fully-integrated unit in the war, with a mixture of US Army and Australian Royal Navy, and they provided a lot of support to the Army of the Republic of Vietnam (South Vietnam). This meant that Vietnamese infantry flew side-by-side with US flight crew aboard EMU Hueys.
It's a fascinating bit of history. If you know of someone who'd like to contribute funds to keeping this beautiful aircraft and its legacy alive in the sky, send them over to HueyVets.com. Or just go there to get some education for yourself.
San Franciscans love little more than dressing up and acting out. And Daniel Jarvis is there to capture it all on his magic Canon.
Having questions about whether becoming "transhuman" will feel great or kind of, like, weird? Whether the promise of living forever and morphing into a god is something new when it's presented by science as opposed to superstition?
If so, this new art show probably won't be of any help to you. It assumes that ushering in a post-human intelligence (The Singularity) will absolutely be super awesome for everyone.
You can understand how an immortality cult of rich, powerful nerds has a need to equate science and art in order to make the idea of evolving into a machine feel less apocalyptic. But I fear they're gonna have to do better than this.
For example, I give Google credit for their Droid commercials, especially the one of the miners who discover a floating chunk of ore that converts humans into machines - it's bold and dark and, aside from the presumption that we'll be given a choice about the conversion, doesn't sugar coat the horror that would no doubt accompany the process. You've probably seen it:
I recommend repeated viewings. Pay attention to the storyline here: Open on what looks like earth, at a futuristic strip mine. A group of folks who cannot breathe the atmosphere enter a sci-fi gate, plunge deep into the earth, pass an empty helmet (it isn't like theirs - it looks like that of a current-day military pilot), and finally enter the chamber where the levitating mystery ore somehow leads one brave guy to take off his space suit's sleeve and insert his bare arm into the thing. His arm immediately turns into a machine (with a Verizon-powered Droid phone on the end, naturally).
The best thing about the spot is that it's fucking cool. The tangible sense of menace in the story raises more questions than it answers.
An earlier spot is simpler, and doesn't include choice - in the reflection of a closeup of an eyeball, we see someone is simply browsing online and in the process is converted into a machine:
In contrast, here is the propaganda of the Singularitarian cult in its rawest form:
There are no questions here, just answers. It reeks of desperation and fear - fear that no one else on the planet believes their immortalist vision and, therefore, their own day of Transformation will never come.
Relax, guys. Assuming the Machine Intelligence will take cognizance of us at all when it emerges, I'm sure it can resurrect us from the dead along with all of our relatives who have ever passed on. Take a lesson from your religious cousins - have a little faith. If nothing else, it's more becoming.
Ironically, Google's approach will probably sweeten people up to the notion of surrendering to the Singularity more than the pure propaganda approach will. It seems that the Google hive mind understands irony better than the wanna-be transhumans. Which is truly, epically, cosmically fucking ironic.
Nestled amongst the schlock and obesity of Fisherman's Wharf is Musée Mécanique, a working collection of vintage carnival psychedelia. A true San Francisco treasure.
Here is your video:
In this video, local musician and sound artist David Molina captured native audio from the museum and created surreal soundscapes. They were used in an art installation, Homage to Musée Mécanique.
A while back I did a video piece about Gianni Mola, a colorful North Beach resident who showed us around the neighborhood, claimed (while standing at the edge of Chinatown) that "fresh Italian blood" was coursing back into the restaurant industry, and then took us up to his kitchen while he made gnocchi from scratch.
Afterwards, he asked me to help him create a web cooking show, and I obliged.
Check it out at Gianni.tv. The concept is to show Gianni's "village" lifestyle in North Beach: how he uses his favorite local food purveyors to source the meal he cooks that night for friends; the importance of "time and place" (seasonality and regional diet); and simple kitchen techniques that can allow anyone to make authentic Italian dishes and meals.
Our boy, Daniel Jarvis, is covering Halloween this year, but this piece he did a year ago should tickle you nonetheless. Stay tuned for his latest...
Ours is the only fire department in the country that makes and uses wooden ladders. Before the fir used to make the ladders can be utilized it has to sit and age for 15 years. Amazingly, they repair ladders that are close to 100 years old for future use.
This is a fascinating piece. I could do without the cheesy anchorman voice-over, but other than that, I was riveted for the whole 3:55 duration.
The video's been around for about a month now and I don't know how I missed it.
Presented through the eyes and hands of local North Beach resident, John "Gianni" Mola, a former poverty lawyer and Old World Italy aficionado, this video first touches on Chinatown's growth into previous North Beach territory, then presents some restaurants that are part of what Mola sees as a trend of Italian immigrants coming back into North Beach.
It finishes with him sourcing and making a gnocchi dish from scratch. Do not watch this video while hungry!
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This is the first time I've seen fog undulating in quite the way it does here. Also amazing are the quality of the exposures and how they capture the glow of the city at night, and the planes landing and taking off at SFO. Oh, and that final shot of the moon setting into the fog bank. Good God!
Prepare to be stunned.
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Last week I posted some photos by Seymour Snaer from 1939, a couple of which were of Sally Rand's Nude Ranch from the Golden Gate International Exposition that took place on Treasure Island. Rand is worth a closer look, if you know what I mean. Take a peep after the jump...
Be sure to watch to the end for some sweet irony.